Bach Bibliography
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Series : ^diss.$
Year : 2007
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Adams, David William'Modern' Organ Style in Karl Straube's Reger Editions. diss. 2007 xiv, 222p
2. Black, David IanMozart and the Practice of Sacred Music, 1781-91. diss. 2007 xi, 455p
3. Borthwick, Mary Christine'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. diss. 2007 x, 527p
4. Boyd, MeganThe St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. diss. 2007 ii, 147p
5. Burdick, Adam DavidThe Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. diss. 2007 159p
6. Chiang, Shih-yiBrandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. diss. 2007 139p
7. Choi, JeeyoonA comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. diss. 2007 315p
8. Cruz, JenniferThe aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. diss. 2007 xi, 63p
9. Fleury, W. LeighMotivic structure in the chorale-based organ works of Sir Charles Hubert Parry: An analytical survey. diss. 2007 180p
10. Flint de Médicis, CatrinaThe Schola Cantorum, early music and French political culture, from 1894 to 1914. diss. 2007 365p
11. Franck, Peter JocelynThe role of invertible counterpoint within Schenkerian theory. diss. 2007 333p
12. Hampson, Christopher MartinPausing for Reflection: Re-evaluating Bach's Use of the Fermata. diss. 2007 87p
13. Jarvis, Martin W. B.Did Johann Sebastian Bach Write the Six Cello Suites? diss. 2007 430p
14. Kattnig, HildegardUntersuchungen zur musikalischen Sprache J.S. Bachs Motetten, dargestellt an ausgewählten Beispielen. diss. 2007 300p
15. Komm, Thomas AlexanderDie Klaviersonaten von Georg Anton Benda: Geschichtlicher Stellenwert und formale Strukturen. diss. 2007 320p
16. Lindsberger, HerbertFlüchtigkeit oder beabsichtigte Variation. Die Sechs Suiten für Violoncello solo von Johann Sebastian Bach (BWV 1007-1012) in der Abschrift Anna Magdalena Bachs und deren Übertragung für Viola. diss. 2007 344p
17. Mahlberg, Daniel SakariThe Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28. diss. 2007 144p
18. Metzler, PatriziaAria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. diss. 2007 194p
19. Milne, Jennifer DeniseThe rhythm of form: Compositional processes in the music of Sofia Gubaidulina. diss. 2007 195p
20. Morota, DaisukeDresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. diss. 2007
21. Nero, Jonathan LeonardThe a cappella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music. diss. 2007 46p
22. Nic Athlaoich, RóisínBach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. diss. 2007
23. Rhyne, David ErnestA conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. diss. 2007 326p
24. Spierings, BenediktBachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving. diss. 2007 v, 95p
25. Todd, RichardThe sarabandes from J.S. Bach's six suites for solo cello: An analysis and interpretive guide for the modern guitarist. diss. 2007 67p
26. Zahvatkin, Andrej NikolaevicKlavirnaâ skola K.F.È. Baha v istoriceskoj perspektive. diss. 2007 307p

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